Pride and Prejudice* (*or so): Jane Austen meets Karaoke at the Bonn theater
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Jane Austen meets Karaoke: A cheeky evening full of heart and attitude
When five maidservants take over the story of the Bennet family, a thrilling stage experience begins at the Bonn theater, blending great literature, sharp humor, and 80s hits. Pride and Prejudice* (*or so) by Isobel McArthur, based on Jane Austen, premieres on Friday, March 19, 2027.
A comedy with a new perspective on Jane Austen
The direction by Jan Neumann takes a surprising look at Jane Austen's classic from 1813. It is not the socially privileged characters that dictate the evening, but five maidservants who finally find their voice and claim their space. In a rapid-fire karaoke show, they tell stories of love, money, economic dependency, and female self-determination.
Five actresses, more than 18 roles
The five actresses embody not only the unmarried Bennet daughters but nearly all characters from the novel. This artistic role-switching lends the dramaturgy pace and comedic precision. The acting thrives on quick transitions, pointed body language, and a deliberately exaggerated stage energy.
80s hits and big emotions
Music becomes the driving force of the production. Well-known songs blend with a karaoke show, where romantic yearning, social pressure, and the desire for freedom intersect directly. Between irony and feeling, a theater atmosphere emerges that charges Jane Austen's societal observations with contemporary humor.
Set design, costumes, and direction
Jan Neumann directs, Matthias Werner designs the set, Nini von Selzam is responsible for the costumes, Carmen Wolfram for the dramaturgy, and Johannes Winde for the music. The interplay of these crafts promises a production where visual comedy, musical rhythm, and precise character direction intertwine tightly.
An evening about love, money, and self-determination
At the center are Elizabeth Bennet, her sisters, and the question of what price societal expectations demand. The adaptation connects romantic entanglements with a clear social perspective. Thus, the classic appears not as a museum piece of literature but as vibrant stage art about class, gender roles, and the courage to raise one's voice.
Conclusion: The audience can expect a fast-paced theater comedy with musical drive, pointed direction, and an ensemble that reimagines Jane Austen's characters with visible joy of play. Anyone who wants to experience literary classics, acting, and karaoke in an unusual connection should not miss this stage experience at the Bonn theater.
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- Website: https://www.theater-bonn.de/de/programm/stolz-und-vorurteil-oder-so/231123
